ANIME-FUDE sakuyo https://en.sgd-fude.shop/items/69344552 ANIME-FUDE kasumi https://en.sgd-fude.shop/items/69344553 This is a set of two brushes, one of each of the above. These paintbrushes is a Kumano-Fude, a traditional craft designated by the Japanese Minister of Economy, Trade and Industry. Delivered in a Kumano-Fude gift bag. This art brush is for drawing animation background art. It was developed jointly by us and STUDIO GHIBLI. It is an all-purpose brush that can be used for all kinds of drawing. It is also used by professional animators of famous animation production companies. This brush can be used for a variety of purposes, including Japanese-style painting, ink painting, and watercolor painting, as well as animation background art. (CAT:for animation background art) https://en.sgd-fude.shop/categories/4821127

This brush is a Kumano-Fude, a traditional craft designated by the Japanese Minister of Economy, Trade and Industry. Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:218mm Brush head diameter:7.5mm Brush head length:24mm Product Details: This art brush is for drawing animation background art. It was developed jointly by us and STUDIO GHIBLI. It is an all-purpose brush that can be used for all kinds of drawing. It is also used by professional animators of famous animation production companies. Studio Aoshashin, the background art studio for the anime "Osama-Ranking(王様ランキング)," which has been airing on Fuji Television Network's "Noitamina" since October 14, 2021, has been using our brushes. Mr. Yuji Kaneko, the representative of this studio and the art director of this animation, told us that they use this brush a lot for the background art of this animation because of its rounded touch. Osama Ranking "王様ランキング" https://osama-ranking.com Studio Aoshashin "株式会社青写真" http://aoshashin.jp ---- The story behind the development of the animation brush https://en.sgd-fude.net/feature/1484/deve-animefude/ (CAT:ANIME-FUDE) ANIME-FUDE sakuyo https://en.sgd-fude.shop/items/69344552 ANIME-FUDE kasumi https://en.sgd-fude.shop/items/69344553 ANIME-FUDE madoka https://en.sgd-fude.shop/items/69344766

This brush is a Kumano-Fude, a traditional craft designated by the Japanese Minister of Economy, Trade and Industry. Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:222mm Brush head diameter:6mm Brush head length:28mm Product Details:This brush is used for animation background art. This brush has an elastic tip. The tip of the ear is very well organized. This line drawing brush can draw from fine to thick lines. (CAT:ANIME-FUDE) ANIME-FUDE sakuyo https://en.sgd-fude.shop/items/69344552 ANIME-FUDE kasumi https://en.sgd-fude.shop/items/69344553 ANIME-FUDE madoka https://en.sgd-fude.shop/items/69344766 ------------------------------------------------------------------------------------ This art brush is for drawing animation. It was developed jointly by us and STUDIO GHIBLI. It is also used by professional animators of famous animation production companies. use：drawing lines

Usage:Animation, line brush, coloring brush, background painting, poster color, watercolor Main raw material:High-grade weasel, high-grade goat hair, goat tail, deer hair Full length:218mm Brush head diameter:7.5mm Brush head length:24mm Product Details:This brush is used in animation background art. This brush has excellent elasticity and cohesiveness at the tip. This brush can freely draw from fine lines to wide surfaces. ---- ■Product Description This brush was developed based on the "Anime-fude-Sakuyo" with the feature of drawing sharp lines. It can be used to draw fine lines as well as surfaces, just like the past brushes for animation. Please use it according to your style. Please visit the following URL for more information on "The Secret Story of the Development of the Animation Brush". https://en.sgd-fude.net/feature/1484/deve-animefude/ (CAT:ANIME-FUDE) ANIME-FUDE sakuyo https://en.sgd-fude.shop/items/69344552 ANIME-FUDE kasumi https://en.sgd-fude.shop/items/69344553 ANIME-FUDE madoka https://en.sgd-fude.shop/items/69344766 ------------------------------------------------------------------- This art brush is for drawing animation. It was developed jointly by us and STUDIO GHIBLI. It is an all-purpose brush that can be used for all kinds of drawing. It is also used by professional animators of famous animation production companies. use：drawing lines,watercolor painting,for anime,background art

Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:222mm Brush head diameter:9mm Brush head length:27mm Product Details:This brush is used for animation background art. Versatile Line Brush for Animation Backgrounds – “Kozue” (Saku-yo Fude) A beginner-friendly brush with excellent control and balance This brush is designed to be easy to use even for beginners, with excellent spring and cohesion at the tip, allowing for a full range of strokes—from fine lines to broad fills. The “Animation Brush – Kozue (Saku-yo)” is carefully crafted to have a slightly finer tip than the “Tokusen Animation Brush – Saku-yo”, but slightly thicker than the “Tokusei Animation Brush – En.” With a longer-than-average tip, it is easier to shape and control, making it suitable for both experienced artists and those just starting out in animation background art. ■ Product Description In professional animation background studios, artists often need to complete many paintings in a day. To save time and reduce the number of brushes needed, they often rely on versatile saku-yo brushes (a type of line brush) capable of performing multiple tasks. In response to such needs, we developed the “Tokusen Animation Brush – Saku-yo” in the early 2000s at the request of a major animation studio. At the time, durability was one of the studio’s primary concerns. Traditional saku-yo brushes would wear down in just one to two weeks under heavy daily use. They asked us to create a brush that could last over a month. After repeated improvements, we produced a brush that used a significantly higher amount of weasel hair than standard brushes—enhancing both performance and longevity. The “Animation Brush – Saku-yo Kozue” offers a more cost-effective solution while still ensuring high durability. While it does use weasel hair, we did not simply increase the weasel content to achieve durability. Instead, we blended in other selected hairs to strike the right balance. This brush is ideal for those beginning their journey into background painting, as well as professionals working in high-output studios. With this one brush, you can handle both line work and painting, and thanks to its longer tip and higher hair volume, it's easier to shape the tip into various forms—especially useful for those new to shaping brush heads. ■ For Hobbyists and Light Use If you're painting at your own pace or pursuing background art as a hobby, a standard saku-yo brush may be sufficient. We currently offer six types of saku-yo brushes, two of which—“Saku-yo Brush – Kanade” and “Tokusei Saku-yo Brush”—are available in our online shop. While these may not match the durability or versatility of the “Tokusen Animation Brush – Saku-yo” (due to differences in tip volume and shaping range), hobbyists or light users can easily compensate by selecting the right brush for what they want to paint. Notably, even professional background artists use the “Tokusei Saku-yo Brush” in production. All of our animation brushes and tools are tested using New TMK Poster Extra Thick paper (Muse) and poster colors (Nicker), both widely used in the animation industry. Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s center of traditional brush-making. Each brush is made with care by artisans who carry forward generations of skill and respect for Japan’s cultural heritage.

Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:227mm Brush head diameter:11mm Brush head length:34mm Product Details:This brush is used for animation background art. This is a line-drawing brush for hand-drawn animation background art. "Animation Brush – Double-Kezuriyō Kobushi" features a bristle volume twice that of our "Special Selection Animation Brush Kezuriyō." ■ Product Description This brush offers excellent spring and cohesion at the tip, allowing for effortless transitions from fine lines to broad strokes. It is a larger version of the standard Kezuriyō animation brush. Despite its size, it is still capable of drawing delicate lines. Our animation brushes and hake brushes are tested and developed using the New TMK Poster Thick Paper by Muse and Poster Colors by Nicker, both commonly used in animation background art production. All of our brushes are crafted with care by our artisans in Kumano Town, Hiroshima Prefecture—renowned as the “town of brushes”—where brush-making techniques have been passed down for generations. While valuing Japan’s traditional culture, each brush is handmade with precision and dedication.

Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:233mm Brush head diameter:1mm Brush head length:3mm Product Details:This brush is used for animation background art. This is a line-drawing brush for hand-drawn animation background art. "Animation Brush – Triple Kezuriyō Kobushi" features a bristle volume three times greater than that of our "Special Selection Animation Brush Kezuriyō." ■ Product Description With outstanding spring and cohesion at the tip, this brush allows you to draw everything from delicate lines to broad areas with ease. It is a larger version of the standard Kezuriyō animation brush. Despite its size, it is still capable of producing fine, precise lines. Our animation brushes and hake brushes are tested and developed using materials commonly used in background art production for animation: New TMK Poster Extra Thick Paper by Muse and Poster Colors by Nicker. These brushes are carefully handcrafted by our artisans in Kumano Town, Hiroshima Prefecture—famous as Japan’s “brush capital.” We carry on the traditional techniques passed down through generations while honoring Japanese cultural heritage. Each brush is meticulously made, one by one, with dedication and skill.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：252mm Brush head Width：13mm Brush head length：24mm Product Details：Designed for writing animated backgrounds TSpecial Flat Brush for Hand-Drawn Animation Background Art This specially made flat brush is designed for hand-painted backgrounds in animation. It is ideal not only for base coating and line work in animation background painting, but also for Nihonga (Japanese painting), graphic design, and poster work. The brush features a thick, well-structured tip that holds a large amount of paint, allowing for broad coverage with a single stroke. Thanks to its generous volume, it also excels at lifting color (such as creating highlights or wiping away paint to reveal the paper base when painting clouds). Compared to the “Animation Flat Brush - Kozue” of the same size, this Special Animation Flat Brush contains more goat hair, giving the tip extra volume. However, it is made using carefully selected, slightly slender and resilient high-quality goat hair (from the tail of mountain goats), allowing the brush tip to close neatly for precise line work as well. If you're looking for a standard flat brush with balanced thickness and firmness, we recommend the “Animation Flat Brush - Kozue.” However, this Special Animation Flat Brush is especially suitable for animation background studios seeking efficiency in large-scale base coating work. All of our animation brushes and tools are tested using materials commonly used in professional background art: the “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker. Our products are handcrafted by artisans in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is carefully made using time-honored techniques passed down through generations, preserving the spirit of Japanese craftsmanship and culture.

sage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：255mm Brush head Width：16mm Brush head length：25mm Product Details：Designed for writing animated backgrounds TSpecial Flat Brush for Hand-Drawn Animation Background Art This specially made flat brush is designed for hand-painted backgrounds in animation. It is ideal not only for base coating and line work in animation background painting, but also for Nihonga (Japanese painting), graphic design, and poster work. The brush features a thick, well-structured tip that holds a large amount of paint, allowing for broad coverage with a single stroke. Thanks to its generous volume, it also excels at lifting color (such as creating highlights or wiping away paint to reveal the paper base when painting clouds). Compared to the “Animation Flat Brush - Kozue” of the same size, this Special Animation Flat Brush contains more goat hair, giving the tip extra volume. However, it is made using carefully selected, slightly slender and resilient high-quality goat hair (from the tail of mountain goats), allowing the brush tip to close neatly for precise line work as well. If you're looking for a standard flat brush with balanced thickness and firmness, we recommend the “Animation Flat Brush - Kozue.” However, this Special Animation Flat Brush is especially suitable for animation background studios seeking efficiency in large-scale base coating work. All of our animation brushes and tools are tested using materials commonly used in professional background art: the “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker. Our products are handcrafted by artisans in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is carefully made using time-honored techniques passed down through generations, preserving the spirit of Japanese craftsmanship and culture.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：260mm Brush head Width：19mm Brush head length：27mm Product Details：Designed for writing animated backgrounds TSpecial Flat Brush for Hand-Drawn Animation Background Art This specially made flat brush is designed for hand-painted backgrounds in animation. It is ideal not only for base coating and line work in animation background painting, but also for Nihonga (Japanese painting), graphic design, and poster work. The brush features a thick, well-structured tip that holds a large amount of paint, allowing for broad coverage with a single stroke. Thanks to its generous volume, it also excels at lifting color (such as creating highlights or wiping away paint to reveal the paper base when painting clouds). Compared to the “Animation Flat Brush - Kozue” of the same size, this Special Animation Flat Brush contains more goat hair, giving the tip extra volume. However, it is made using carefully selected, slightly slender and resilient high-quality goat hair (from the tail of mountain goats), allowing the brush tip to close neatly for precise line work as well. If you're looking for a standard flat brush with balanced thickness and firmness, we recommend the “Animation Flat Brush - Kozue.” However, this Special Animation Flat Brush is especially suitable for animation background studios seeking efficiency in large-scale base coating work. All of our animation brushes and tools are tested using materials commonly used in professional background art: the “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker. Our products are handcrafted by artisans in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is carefully made using time-honored techniques passed down through generations, preserving the spirit of Japanese craftsmanship and culture.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：262mm Brush head Width：22mm Brush head length：27mm Product Details：Designed for writing animated backgrounds TAnimation Flat Brush “Kozue” – For Hand-Drawn Background Art This flat brush is specially designed for hand-drawn animation backgrounds. It is ideal not only for base coating and outlining in animation background work, but also for use in Nihonga (Japanese painting), design, and poster production. The “Animation Flat Brush – Kozue” is made with a thicker brush head than standard design flat brushes, allowing it to hold more paint and deliver solid coverage with a single stroke. Thanks to its generous tip volume, it also performs well for paint-lifting techniques (such as wiping off paint to expose the paper surface when creating clouds or highlights). Despite its volume, the tip closes cleanly, making it perfectly suitable for line work as well. The sharply tapered tip makes it particularly effective for painting structures, edges, and surfaces—an excellent choice for background artists who prefer flat brushes for detailed rendering instead of round (senbyō) brushes. If you’re seeking a flat brush with even greater paint capacity for large-scale base coating, we recommend our “Special Animation Flat Brush”, which offers even more volume than this Kozue model and is designed for efficient work in busy background art studios. All of our animation brushes are tested using materials commonly employed in professional background art production: New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s brush-making capital. Each brush is carefully made by skilled artisans who carry on traditional techniques, with deep respect for Japanese culture and craftsmans

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：263mm Brush head Width：21mm Brush head length：28mm Product Details：Designed for writing animated backgrounds TSpecial Flat Brush for Hand-Drawn Animation Background Art This specially made flat brush is designed for hand-painted backgrounds in animation. It is ideal not only for base coating and line work in animation background painting, but also for Nihonga (Japanese painting), graphic design, and poster work. The brush features a thick, well-structured tip that holds a large amount of paint, allowing for broad coverage with a single stroke. Thanks to its generous volume, it also excels at lifting color (such as creating highlights or wiping away paint to reveal the paper base when painting clouds). Compared to the “Animation Flat Brush - Kozue” of the same size, this Special Animation Flat Brush contains more goat hair, giving the tip extra volume. However, it is made using carefully selected, slightly slender and resilient high-quality goat hair (from the tail of mountain goats), allowing the brush tip to close neatly for precise line work as well. If you're looking for a standard flat brush with balanced thickness and firmness, we recommend the “Animation Flat Brush - Kozue.” However, this Special Animation Flat Brush is especially suitable for animation background studios seeking efficiency in large-scale base coating work. All of our animation brushes and tools are tested using materials commonly used in professional background art: the “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker. Our products are handcrafted by artisans in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is carefully made using time-honored techniques passed down through generations, preserving the spirit of Japanese craftsmanship and culture.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：250mm Brush head Width：13mm Brush head length：25mm Product Details：Designed for writing animated backgrounds TAnimation Flat Brush “Kozue” – For Hand-Drawn Background Art This flat brush is specially designed for hand-drawn animation backgrounds. It is ideal not only for base coating and outlining in animation background work, but also for use in Nihonga (Japanese painting), design, and poster production. The “Animation Flat Brush – Kozue” is made with a thicker brush head than standard design flat brushes, allowing it to hold more paint and deliver solid coverage with a single stroke. Thanks to its generous tip volume, it also performs well for paint-lifting techniques (such as wiping off paint to expose the paper surface when creating clouds or highlights). Despite its volume, the tip closes cleanly, making it perfectly suitable for line work as well. The sharply tapered tip makes it particularly effective for painting structures, edges, and surfaces—an excellent choice for background artists who prefer flat brushes for detailed rendering instead of round (senbyō) brushes. If you’re seeking a flat brush with even greater paint capacity for large-scale base coating, we recommend our “Special Animation Flat Brush”, which offers even more volume than this Kozue model and is designed for efficient work in busy background art studios. All of our animation brushes are tested using materials commonly employed in professional background art production: New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s brush-making capital. Each brush is carefully made by skilled artisans who carry on traditional techniques, with deep respect for Japanese culture and craftsmans

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：257mm Brush head Width：15mm Brush head length：25mm Product Details：Designed for writing animated backgrounds TAnimation Flat Brush “Kozue” – For Hand-Drawn Background Art This flat brush is specially designed for hand-drawn animation backgrounds. It is ideal not only for base coating and outlining in animation background work, but also for use in Nihonga (Japanese painting), design, and poster production. The “Animation Flat Brush – Kozue” is made with a thicker brush head than standard design flat brushes, allowing it to hold more paint and deliver solid coverage with a single stroke. Thanks to its generous tip volume, it also performs well for paint-lifting techniques (such as wiping off paint to expose the paper surface when creating clouds or highlights). Despite its volume, the tip closes cleanly, making it perfectly suitable for line work as well. The sharply tapered tip makes it particularly effective for painting structures, edges, and surfaces—an excellent choice for background artists who prefer flat brushes for detailed rendering instead of round (senbyō) brushes. If you’re seeking a flat brush with even greater paint capacity for large-scale base coating, we recommend our “Special Animation Flat Brush”, which offers even more volume than this Kozue model and is designed for efficient work in busy background art studios. All of our animation brushes are tested using materials commonly employed in professional background art production: New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s brush-making capital. Each brush is carefully made by skilled artisans who carry on traditional techniques, with deep respect for Japanese culture and craftsmans

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：257mm Brush head Width：20mm Brush head length：25mm Product Details：Designed for writing animated backgrounds TAnimation Flat Brush “Kozue” – For Hand-Drawn Background Art This flat brush is specially designed for hand-drawn animation backgrounds. It is ideal not only for base coating and outlining in animation background work, but also for use in Nihonga (Japanese painting), design, and poster production. The “Animation Flat Brush – Kozue” is made with a thicker brush head than standard design flat brushes, allowing it to hold more paint and deliver solid coverage with a single stroke. Thanks to its generous tip volume, it also performs well for paint-lifting techniques (such as wiping off paint to expose the paper surface when creating clouds or highlights). Despite its volume, the tip closes cleanly, making it perfectly suitable for line work as well. The sharply tapered tip makes it particularly effective for painting structures, edges, and surfaces—an excellent choice for background artists who prefer flat brushes for detailed rendering instead of round (senbyō) brushes. If you’re seeking a flat brush with even greater paint capacity for large-scale base coating, we recommend our “Special Animation Flat Brush”, which offers even more volume than this Kozue model and is designed for efficient work in busy background art studios. All of our animation brushes are tested using materials commonly employed in professional background art production: New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s brush-making capital. Each brush is carefully made by skilled artisans who carry on traditional techniques, with deep respect for Japanese culture and craftsmans

Created in response to a request from a professional creator. The brush does not directly apply the paint, but can lightly stroke the painted area with the tip of the brush to blur the border between the colours. It is useful for creating gradations as it can blur even the smallest details. Our company repeated the test many times and created this "Specially Selected Flat Brush for Animation - Tan　No. 8". This product is a luxurious gem, infused with meticulous manual craftsmanship. It is recommended for professional creators in painting and animation production, as well as hobbyists and students who draw animation backgrounds. Main raw material:goat hair Full length：265mm Brush head Width：21mm Brush head length：26mm Product Details：Designed for writing animated backgrounds. Beautiful gradients can be drawn In addition to animation backgrounds, it is suitable for watercolour painting, Japanese painting, hobby and POP design. (CAT:Anime-fude ) https://en.sgd-fude.shop/search?q=Anime-fude

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material： Full length：25mm Brush head Width：12mm Brush head length：2mm Product Details：Designed for writing animated backgrounds sougen – Flat Brush for Grass and Blending Developed Specifically for Painting Grass in Animation Backgrounds We created this specialized brush for painting grass in response to background artists' challenges with achieving the natural randomness of scattered brush tips. Many artists told us how difficult it is to control brush tips to create the irregular, scattered strokes needed for painting grass. That’s why we set out to design a brush that makes this easier—while also being suitable for blending and gradients, much like a Kara brush. The result is the Animation Flat Brush – Tomorrow’s Grassland. With its wide brush head, it is ideal for quickly painting large areas of grass. At the same time, its shape makes it useful for blending smaller sections and creating smooth transitions. The tip is designed to naturally form jagged edges, helping to create organic grass strokes with ease. Its 30mm-long hair allows the brush to spread open, enabling artists to vary their brush patterns depending on how it is manipulated—offering great flexibility and control. Besides grass painting and spot blending, this brush can also be used to create soft, cloudy textures or subtle atmospheric effects. We designed this tool with the hope that it would bring more enjoyment to background artists—making the process of painting scenery even more rewarding. All of our animation brushes are tested using materials widely adopted in the animation industry, including New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Each brush is handcrafted in Kumano, Hiroshima, a town celebrated as Japan’s brush-making capital. Our artisans continue to uphold time-honored techniques, crafting each brush with care and respect for Japan’s artistic heritage.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material： Full length：223mm Brush head Width：6mm Brush head length：28mm Product Details：Designed for writing animated backgrounds Brush for Grass Painting and Spot Blending – Developed for Background Art In response to requests from background artists, we began developing a new brush specifically designed for painting grass. At the same time, we aimed to make it suitable for spot blending and gradient work, similar to how a Kara brush is used. This brush was carefully designed so that the tip naturally forms jagged edges, making it easier to express grass textures. Its long 30mm hair length allows the brush tip to spread wide, enabling a variety of grass patterns depending on how it's opened and used. Beyond painting grass and spot blending, this brush is also excellent for creating soft, cloudy effects and other atmospheric touches. We hope this brush will make background painting in animation not only easier—but more enjoyable. All of our animation brushes and tools are tested using materials commonly employed in professional background production, including New TMK Poster Extra Thick paper (Muse) and poster colors (Nicker). Our products are handcrafted in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is made by skilled artisans who carry on time-honored techniques, all while respecting the beauty of Japanese cultural heritage.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material： Full length：237mm Brush head Width：4mm Brush head length：18mm Product Details：Designed for writing animated backgrounds Flat Brush Specially Designed for Painting Windows in Animation Backgrounds We developed this window-painting-specific brush in response to a request from an art director who wanted a brush that would be easier for beginners to use. In traditional animation background painting, shaping the brush tip precisely to match what you want to paint—especially windows—requires skill and experience. This brush was designed to simplify that process. One of its key features is that it allows the artist to freely adjust the tip width between approximately 1mm and 5mm, all with a single brush. What’s more, once shaped, the tip holds its width stably during use, so the line thickness doesn’t unintentionally change while painting. The brush has an unusually long hair length for a fine brush—18mm—which allows it to hold a generous amount of paint. As a result, it reduces the risk of running out of pigment midway when painting wide window frames or long lines. Despite being a Size 2 brush, it holds a significant volume of paint, making it suitable even for detailed filling and precision work. We recommend trying it before window painting becomes your least favorite task! All of our brushes and tools for animation are developed and tested using materials commonly used in professional background art production, including New TMK Poster Extra Thick paper (Muse) and poster colors (Nicker). These brushes are handcrafted in Kumano, Hiroshima, a town renowned as the heart of Japanese brush-making. Each brush is carefully made by our artisans, preserving traditional techniques while honoring the cultural legacy of Japanese craftsmanship.

Main material: deer hair Total length: 295mm Brush head width: 30mm Brush head length: 24mm Description: Used for blurring large surfaces such as backgrounds in animation background art, Japanese and ink paintings. This Kara brush is designed specifically for hand-painted animation backgrounds. It is used after applying color to water-stretched paper, for purposes such as blending colors, smoothing uneven paint application, and softening the edges of gradients. The brush uses deer hair, and the moderate spacing between the hairs at the tip makes it especially suitable for producing visible brush textures when blending. Unlike traditional Japanese Kara brushes, which typically use very stiff deer hair all the way to the tip, this brush is made with slightly softer and smoother deer hair at the tip. This ensures it glides gently over the paper surface without catching or damaging delicate textures. Deer hair is characterized by thick strands that taper to fine tips, naturally creating gaps between the hairs. This structure makes it easy to leave intentional brush marks. As you use the brush, the tip may gradually become damp. However, with this Kara brush, simply rubbing the tip lightly with a towel will dry it quickly. It's highly recommended for background artists in animation who seek both expressive control and efficient workflow, such as when depicting metallic textures or surface finishes. Of course, it can also be used in Nihonga (traditional Japanese painting). Compared to harder-tipped deer hair Kara brushes, this one leaves softer brush marks, making it ideal for use on delicate or coarse-textured washi paper where you want to avoid damaging the fibers. Please note: this brush is used dry, without absorbing water. (Caution: do not soak the brush in water.) Because deer hair is hollow at the center, soaking or leaving it wet can cause moisture to enter and lead to root rot. If dark pigments remain on the tip, you may briefly dip only the tip into water to rinse it. Afterward, rub it with a towel and it will dry quickly. All of our brushes and tools for animation are tested using “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker—both commonly used in animation background art. Our products are handcrafted by skilled artisans in Kumano, Hiroshima, a town renowned as the heart of traditional Japanese brush-making. We take pride in preserving Japanese cultural heritage, and every brush is carefully made with devotion and craftsmanship.

Main material: deer hair Total length: 295mm Brush head width: 45mm Brush head length: 24mm Description: Used for blurring large surfaces such as backgrounds in animation background art, Japanese and ink paintings. This Kara brush is designed specifically for hand-painted animation backgrounds. It is used after applying color to water-stretched paper, for purposes such as blending colors, smoothing uneven paint application, and softening the edges of gradients. The brush uses deer hair, and the moderate spacing between the hairs at the tip makes it especially suitable for producing visible brush textures when blending. Unlike traditional Japanese Kara brushes, which typically use very stiff deer hair all the way to the tip, this brush is made with slightly softer and smoother deer hair at the tip. This ensures it glides gently over the paper surface without catching or damaging delicate textures. Deer hair is characterized by thick strands that taper to fine tips, naturally creating gaps between the hairs. This structure makes it easy to leave intentional brush marks. As you use the brush, the tip may gradually become damp. However, with this Kara brush, simply rubbing the tip lightly with a towel will dry it quickly. It's highly recommended for background artists in animation who seek both expressive control and efficient workflow, such as when depicting metallic textures or surface finishes. Of course, it can also be used in Nihonga (traditional Japanese painting). Compared to harder-tipped deer hair Kara brushes, this one leaves softer brush marks, making it ideal for use on delicate or coarse-textured washi paper where you want to avoid damaging the fibers. Please note: this brush is used dry, without absorbing water. (Caution: do not soak the brush in water.) Because deer hair is hollow at the center, soaking or leaving it wet can cause moisture to enter and lead to root rot. If dark pigments remain on the tip, you may briefly dip only the tip into water to rinse it. Afterward, rub it with a towel and it will dry quickly. All of our brushes and tools for animation are tested using “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker—both commonly used in animation background art. Our products are handcrafted by skilled artisans in Kumano, Hiroshima, a town renowned as the heart of traditional Japanese brush-making. We take pride in preserving Japanese cultural heritage, and every brush is carefully made with devotion and craftsmanship.

Main material: deer hair Total length: 295mm Brush head width: 60mm Brush head length: 24mm Description: Used for blurring large surfaces such as backgrounds in animation background art, Japanese and ink paintings. This Kara brush is designed specifically for hand-painted animation backgrounds. It is used after applying color to water-stretched paper, for purposes such as blending colors, smoothing uneven paint application, and softening the edges of gradients. The brush uses deer hair, and the moderate spacing between the hairs at the tip makes it especially suitable for producing visible brush textures when blending. Unlike traditional Japanese Kara brushes, which typically use very stiff deer hair all the way to the tip, this brush is made with slightly softer and smoother deer hair at the tip. This ensures it glides gently over the paper surface without catching or damaging delicate textures. Deer hair is characterized by thick strands that taper to fine tips, naturally creating gaps between the hairs. This structure makes it easy to leave intentional brush marks. As you use the brush, the tip may gradually become damp. However, with this Kara brush, simply rubbing the tip lightly with a towel will dry it quickly. It's highly recommended for background artists in animation who seek both expressive control and efficient workflow, such as when depicting metallic textures or surface finishes. Of course, it can also be used in Nihonga (traditional Japanese painting). Compared to harder-tipped deer hair Kara brushes, this one leaves softer brush marks, making it ideal for use on delicate or coarse-textured washi paper where you want to avoid damaging the fibers. Please note: this brush is used dry, without absorbing water. (Caution: do not soak the brush in water.) Because deer hair is hollow at the center, soaking or leaving it wet can cause moisture to enter and lead to root rot. If dark pigments remain on the tip, you may briefly dip only the tip into water to rinse it. Afterward, rub it with a towel and it will dry quickly. All of our brushes and tools for animation are tested using “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker—both commonly used in animation background art. Our products are handcrafted by skilled artisans in Kumano, Hiroshima, a town renowned as the heart of traditional Japanese brush-making. We take pride in preserving Japanese cultural heritage, and every brush is carefully made with devotion and craftsmanship.

Main material: deer hair Total length: 300mm Brush head width: 75mm Brush head length: 27mm Description: Used for blurring large surfaces such as backgrounds in animation background art, Japanese and ink paintings. This Kara brush is designed specifically for hand-painted animation backgrounds. It is used after applying color to water-stretched paper, for purposes such as blending colors, smoothing uneven paint application, and softening the edges of gradients. The brush uses deer hair, and the moderate spacing between the hairs at the tip makes it especially suitable for producing visible brush textures when blending. Unlike traditional Japanese Kara brushes, which typically use very stiff deer hair all the way to the tip, this brush is made with slightly softer and smoother deer hair at the tip. This ensures it glides gently over the paper surface without catching or damaging delicate textures. Deer hair is characterized by thick strands that taper to fine tips, naturally creating gaps between the hairs. This structure makes it easy to leave intentional brush marks. As you use the brush, the tip may gradually become damp. However, with this Kara brush, simply rubbing the tip lightly with a towel will dry it quickly. It's highly recommended for background artists in animation who seek both expressive control and efficient workflow, such as when depicting metallic textures or surface finishes. Of course, it can also be used in Nihonga (traditional Japanese painting). Compared to harder-tipped deer hair Kara brushes, this one leaves softer brush marks, making it ideal for use on delicate or coarse-textured washi paper where you want to avoid damaging the fibers. Please note: this brush is used dry, without absorbing water. (Caution: do not soak the brush in water.) Because deer hair is hollow at the center, soaking or leaving it wet can cause moisture to enter and lead to root rot. If dark pigments remain on the tip, you may briefly dip only the tip into water to rinse it. Afterward, rub it with a towel and it will dry quickly. All of our brushes and tools for animation are tested using “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker—both commonly used in animation background art. Our products are handcrafted by skilled artisans in Kumano, Hiroshima, a town renowned as the heart of traditional Japanese brush-making. We take pride in preserving Japanese cultural heritage, and every brush is carefully made with devotion and craftsmanship.

Main material: deer hair Total length: 302mm Brush head width: 90mm Brush head length: 28mm Description: Used for blurring large surfaces such as backgrounds in animation background art, Japanese and ink paintings. This Kara brush is designed specifically for hand-painted animation backgrounds. It is used after applying color to water-stretched paper, for purposes such as blending colors, smoothing uneven paint application, and softening the edges of gradients. The brush uses deer hair, and the moderate spacing between the hairs at the tip makes it especially suitable for producing visible brush textures when blending. Unlike traditional Japanese Kara brushes, which typically use very stiff deer hair all the way to the tip, this brush is made with slightly softer and smoother deer hair at the tip. This ensures it glides gently over the paper surface without catching or damaging delicate textures. Deer hair is characterized by thick strands that taper to fine tips, naturally creating gaps between the hairs. This structure makes it easy to leave intentional brush marks. As you use the brush, the tip may gradually become damp. However, with this Kara brush, simply rubbing the tip lightly with a towel will dry it quickly. It's highly recommended for background artists in animation who seek both expressive control and efficient workflow, such as when depicting metallic textures or surface finishes. Of course, it can also be used in Nihonga (traditional Japanese painting). Compared to harder-tipped deer hair Kara brushes, this one leaves softer brush marks, making it ideal for use on delicate or coarse-textured washi paper where you want to avoid damaging the fibers. Please note: this brush is used dry, without absorbing water. (Caution: do not soak the brush in water.) Because deer hair is hollow at the center, soaking or leaving it wet can cause moisture to enter and lead to root rot. If dark pigments remain on the tip, you may briefly dip only the tip into water to rinse it. Afterward, rub it with a towel and it will dry quickly. All of our brushes and tools for animation are tested using “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker—both commonly used in animation background art. Our products are handcrafted by skilled artisans in Kumano, Hiroshima, a town renowned as the heart of traditional Japanese brush-making. We take pride in preserving Japanese cultural heritage, and every brush is carefully made with devotion and craftsmanship.

TOKUSEI-CHORYU M https://en.sgd-fude.shop/items/69344562 TOKUSEI-SAKUYO M https://en.sgd-fude.shop/items/69344567 TOKUSEI-KUMADORI L https://en.sgd-fude.shop/items/69344577 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 This is a set of the above 4 products. The Tokushei Choryu brushes are mainly used for ink painting. The medium size is recommended for practicing Suiboku-ga (ink painting), as it is rather small and easy to handle as a tsuketate brush. Kumatori-fude are used for blurring ink and colors. Tokushei-sakuyo-fude can be used for fine drawing and coloring. Menso-fude are used for drawing details of human and animal faces and flowers. For more information on Choryu, please see the following page. https://en.sgd-fude.shop/search?q=tokusei-choryu ------------------------------------------------------------------- 1.CHORYU-M This art brush is recommended for practicing ink painting. https://shop.sgd-fude.net/items/42601462 https://en.sgd-fude.shop/items/69344562 2.SAKUYO-M This art brush is used for drawing lines and coloring. https://en.sgd-fude.shop/items/69344567 3.KUMADORI-L This art brush is used for blending ink and color. https://en.sgd-fude.shop/items/69344577 4.MENSO(Weasel hair)-S This art brush is used for painting details on human and animal faces and flowers. https://en.sgd-fude.shop/items/69344609 This is a set of four art brushes, one each of the above.

TOKUSEI-CHORYU S https://en.sgd-fude.shop/items/69344560 TOKUSEI-SAKUYO S https://en.sgd-fude.shop/items/69344566 TOKUSEI-KUMADORI M https://en.sgd-fude.shop/items/69344576 This is a set of three art brushes, one each of the above. Choryu small brushes are mainly used for drawing with sumi ink. The small size is recommended for practicing Suiboku-ga (ink painting), as it is small and easy to handle as a tsuketate brush. Kuma-tori brushes are used for blurring ink and colors. Special sharpening brushes can be used for detailed drawing and coloring. This set includes a complete set of brushes necessary for practicing Suiboku-ga. It can also be used for writing picture letters. For more information on the Choryu, please see the following page. https://en.sgd-fude.shop/search?q=tokusei-choryu ------------------------------------------------------------------- 1.CHORYU-S This art brush is recommended for practicing ink painting. https://en.sgd-fude.shop/items/69344560 2.SAKUYO-S This art brush is used for drawing lines and coloring. https://en.sgd-fude.shop/items/69344566 3.KUMADORI-M This art brush is used for blending ink and color. https://en.sgd-fude.shop/items/69344576

This set is the basic brushes needed for japanese painting.。 This set is designed for those who are not sure which brush to choose when painting japanese painting for the first time. With this set, you can paint small and large pictures, so you can enjoy painting for a long time. This brush is also used by Japanese-style painters. EBAKE 60mm(絵刷毛 60mm) https://en.sgd-fude.shop/items/69344680 This brush is used to paint the base and background. The brush is used to paint the entire surface. KOTSUGAKI M(骨書 中 ) https://en.sgd-fude.shop/items/69344726 この筆は、和紙などに転写されている輪郭線を手掛かりに、濃い線でかいていく。 NYOSUI S(如水 小) https://en.sgd-fude.shop/items/69344710 This brush can be used for both coloring and soft line drawing. TOKUSEI-KUMADORI M(特製隈取 中) https://en.sgd-fude.shop/items/69344576 This brush is used for blending and gradation with water, not for applying paint. ITACHI-MENSO S (イタチ面相 小面相筆） https://shop.sgd-fude.net/items/42601506 This brush is used for detail writing and finishing. Also used in the first preliminary drawing stage.

This set will be the basic brushes needed for japanese painting. This set was created for those who are new to japanese painting and are not sure which brush to choose. This set is a minimal mini set. It is intended for smaller sizes. EBAKE 45mm (絵刷毛45mm) https://en.sgd-fude.shop/items/69344679 This brush is used to paint the base and background. The brush is used to paint the entire surface. SOKUMYO M(則妙 中) https://en.sgd-fude.shop/items/69344591 This brush can be used for both coloring and line drawing. It can be used to draw in dark lines using the outline lines transferred on Japanese paper as a guide. It can also be used for coloring as it contains water well, and its thinness allows you to apply even the smallest of details. ITACHI-MENSO S (イタチ面相 小) https://en.sgd-fude.shop/items/69344609 This brush is used for detail writing and finishing. Also used in the first preliminary drawing stage. Japanese painters are also using it. Recommended as a first basic set.

ETEGAMI-FUDE-H-brown https://en.sgd-fude.shop/items/69344596 ETEGAMI-SAISHIKI https://en.sgd-fude.shop/items/69344604 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 This is a set product of three brushes, one of each of the above. The Etegami Color Brush is for applying colors. The Itachi Face Brush is for writing fine lines and small letters. The Etegami Brush H has a harder tip, making it easier to draw lines, and is recommended for beginners. For more information on our Etegami brushes, please see the following page. https://en.sgd-fude.net/product/gashitsu/etegami-fude/

ETEGAMI-FUDE-S-white https://en.sgd-fude.shop/items/69344599 ETEGAMI-KUMADORI-S https://en.sgd-fude.shop/items/69344605 TOKUSEI-SAKUYO M https://en.sgd-fude.shop/items/69344567 This is a set of three brushes, one for each of the above. Etegami S brushes have a soft tip and can write flexible lines. Therefore, it is somewhat difficult to control the tip. This brush is for intermediate to advanced users. The Kumatori Brush for Emotegami is a brush for blurring colors. The special shaving brush is for detailed drawing and coloring. For more detailed information about Etegami brushes, please see the following page. https://en.sgd-fude.net/product/gashitsu/etegami-fude/

This will be a set for haiga painting. The haiga brushes are for painting suiboku-ga (ink painting) and sumi-ai-ga (ink painting). Menso brushes are for fine writing and small characters. In general, haiga is a simplified painting of haiku (s?ga). It can be painted freely without formalities. HAIGA-FUDE S https://en.sgd-fude.shop/items/69344593 umake-menso-fude The above two brushes are included in the set.

This set is for painting patterns and designs on cloth or fabric using brushes and brushes, as in yuzen dyeing. SOKUMYO M (則妙 中) https://en.sgd-fude.shop/items/69344591 The brush can be used to copy a rough sketch, to draw directly, or to paint in as a coloring brush since it contains well. ITACHI-MENSO SS LONG(イタチ面相 細長 面相筆） https://en.sgd-fude.shop/items/69344543SASHIBAKE-short handle-slant The ultra-fine, long tip allows you to draw long, thin, beautiful lines. Fine writing and finishing are also possible. SASHIBAKE-short handle-slant(差指刷毛 短柄 片羽） https://en.sgd-fude.shop/search?q=%E7%89%87%E7%BE%BD Lines can also be drawn at the point, and the outline can be filled in or blurred. This brush is also used by professionals. We have a set of 5 basic brushes among many. Many people change brushes for each color. Please try them out first.

This set includes brushes and brushes for printing dyes on cloth and paper using stencils. This brush is also used by artisans for Bingata dyeing, kata-yuzen, and tenugui hand towels. Beginners can also enjoy making small items such as bags and coasters easily. There are many processes involved in katazome dyeing, but please enjoy and try it first. ORONPY-MENSO（オロンピー面相 中面相筆） https://shop.sgd-fude.net/items/59671887 The tip is sharp and strong, so it can be used to draw firmly without being defeated by dyes or other sticky paints. SURIKOMIBAKE-black（黒毛スリ込刷毛） https://en.sgd-fude.shop/search?q=SURIKOMIBAKE-black The hair is a little stiff, so it is suitable for thicker materials that need to be penetrated thoroughly. By adjusting the dye, blurring can be expressed. SURIKOMIBAKE-red（赤毛スリ込刷毛） https://en.sgd-fude.shop/search?q=SURIKOMIBAKE-red It is slightly softer than black hair. By adjusting the dye, blurring can be expressed.

Usage:Okonomiyaki sauce application, cooking sauce coating Main raw material:Goat hair, Japanese cypress Other materials:Food Sanitation Law-compliant special adhesive and silicone rubber Full length:312mm Brush head width:90mm（3寸） Brush head length:38mm Brush head thickness:4.5mm(root) Product Details:This brush is specially designed for applying sauce to okonomiyaki. The bristles are made of goat hair, which is a little stiffer than other types of goat hair and can hold the sauce well, allowing the sticky sauce to be applied firmly to the okonomiyaki. The side of the handle of our brushes has a gap (right brush in the fourth photo), but this gap is completely filled with silicon rubber (left brush in the fifth photo), which conforms to the Food Sanitation Law, so that no sauce can get into the gap, and there is no cavity in the handle. Therefore, even if the brush is plunged into the sauce, the sauce will not get into the handle, which is an excellent feature in terms of hygiene. In addition, in order to remove odors peculiar to animal hair, such as goat hair, the bristles are thoroughly cleaned with a food-safe cleaning solution after being boiled to remove odors. https://en.sgd-fude.net/product/hake/okonomiyakibake/

Usage:Okonomiyaki sauce application, cooking sauce coating Main raw material:Goat hair, Japanese cypress Other materials:Food Sanitation Law-compliant special adhesive and silicone rubber Full length:312mm Brush head width:75mm（2.5寸） Brush head length:38mm Brush head thickness:4.5mm(root) Product Details:This brush is specially designed for applying sauce to okonomiyaki. The bristles are made of goat hair, which is a little stiffer than other types of goat hair and can hold the sauce well, allowing the sticky sauce to be applied firmly to the okonomiyaki. The side of the handle of our brushes has a gap (right brush in the fourth photo), but this gap is completely filled with silicon rubber (left brush in the fifth photo), which conforms to the Food Sanitation Law, so that no sauce can get into the gap, and there is no cavity in the handle. Therefore, even if the brush is plunged into the sauce, the sauce will not get into the handle, which is an excellent feature in terms of hygiene. In addition, in order to remove odors peculiar to animal hair, such as goat hair, the bristles are thoroughly cleaned with a food-safe cleaning solution after being boiled to remove odors. https://en.sgd-fude.net/product/hake/okonomiyakibake/

Usage:Okonomiyaki sauce application, cooking sauce coating Main raw material:Goat hair, Japanese cypress Other materials:Food Sanitation Law-compliant special adhesive and silicone rubber Full length:300mm Brush head width:45mm（1.5寸） Brush head length:38mm Brush head thickness:4.5mm(root) Product Details:This brush is specially designed for applying sticky sauces (sauce) to okonomiyaki and takoyaki. The bristles are made of goat hair, which has a good content and a little hardness, so that the sauce can be applied firmly. The side of the handle of our brushes has a gap (right brush in the fourth photo), but this gap is completely filled with silicon rubber (left brush in the fifth photo), which conforms to the Food Sanitation Law, so that no sauce can get into the gap, and there is no cavity in the handle. Therefore, even if the brush is plunged into the sauce, the sauce will not get into the handle, which is an excellent feature in terms of hygiene. In addition, in order to remove odors peculiar to animal hair, such as goat hair, the bristles are thoroughly cleaned with a food-safe cleaning solution after being boiled to remove odors.

Usage:Cooking, sushi, Kitchen Main raw material:red horse hair Full length:200mm Brush head width:14mm Brush head length:18mm Product Details:This product was produced based on a request from a sushi chef. Ideal for dipping sushi in sauce. Each piece is made with care and attention to detail for sushi chefs. It is also used by professional sushi chefs. It can also be used at home for various purposes such as teriyaki, grilled rice balls, and rice cakes. (Adhesives are made with special adhesives that conform to the Food Sanitation Law.)

Usage:japanese painting, ink painting, calligraphy, contest works Main raw material:sambar hair, horse hair, deer hair Full length:425mm Brush head diameter:17mm Brush head length:100mm Product Details:The bristles of this brush are made of extremely resilient and hard mountain horse hair and supple horse hair. The lines drawn with this brush are strong and blurred, and can be expressed in a way that is not possible with other brushes. This brush is suitable not only for Japanese and Suiboku-ga (ink painting), but also for calligraphy contests. This brush is delivered in a paulownia wood box. Please contact us for details. (CAT:SANBA-FUDE ) SANBA-FUDE S https://en.sgd-fude.shop/items/69344584 SANBA-FUDE M https://en.sgd-fude.shop/items/69344585 SANBA-FUDE L https://en.sgd-fude.shop/items/69344587 GOKUHIN-SANBA-FUDE unsigned https://en.sgd-fude.shop/items/69344547 GOKUHIN-SANBA-FUDE unsigned https://en.sgd-fude.shop/items/69344709

Usage:日本画、水墨画,　書、創作作品 Main raw material:山馬、天尾、鹿毛 Full length:425mm Brush head diameter:16mm Brush head length:100mm Product Details:非常にばねがあり、かたい山馬(さんば)と、しなやかな腰のばねを添える天尾を混ぜた穂先は、適度なまとまりと墨含みで、やさしい表現から渇筆まで、幅広い表現が可能な筆です。日本画・水墨画のみでなく、書作品製作にも向いています。 この筆は桐箱に入れてお届けいたします。 詳しくはお問い合わせください。 (CAT:SANBA-FUDE ) SANBA-FUDE S https://en.sgd-fude.shop/items/69344584 SANBA-FUDE M https://en.sgd-fude.shop/items/69344585 SANBA-FUDE L https://en.sgd-fude.shop/items/69344587 GOKUHIN-SANBA-FUDE unsigned https://en.sgd-fude.shop/items/69344547 GOKUHIN-SANBA-FUDE unsigned https://en.sgd-fude.shop/items/69344709

The Sanba brush is a product that boasts strong bristles and a unique writing feel. The bristles are thick and hard to clump together, producing a unique and powerful line. The bristles are so stiff that they make a cracking sound when used. The ink is well absorbed, but depending on the writing speed, it tends to blur, which also makes it possible to express a rich flavor. Suitable for a wide range of uses, such as design calligraphy, this brush can be used to create works that take advantage of its unique line quality. Furthermore, by combining two brushes into a “combined brush”, you can express even more varied and attractive lines. Combination with softer or thinner brushes is also recommended. Sanba hair is a raw hair that is not available in the market today. It is very rare and valuable. The production site is Kumano-cho, Hiroshima Prefecture, famous for its brushes, and the products are made with techniques handed down over many years. Each brush is produced by craftsmen while respecting traditional Japanese culture. Usage:Design, calligraphy, ink painting Main raw material:Sanba, Amao,deer hair Full length:255mm Brush head diameter:4mm Brush head length:39mm Product Details:This brush is Design, calligraphy, ink painting, can draw unique lines

he Sanba brush is a product that boasts strong bristles and a unique writing feel. The bristles are thick and hard to clump together, producing a unique and powerful line. The bristles are so stiff that they make a cracking sound when used. The ink is well absorbed, but depending on the writing speed, it tends to blur, which also makes it possible to express a rich flavor. Suitable for a wide range of uses, such as design calligraphy, this brush can be used to create works that take advantage of its unique line quality. Furthermore, by combining two brushes into a “combined brush”, you can express even more varied and attractive lines. Combination with softer or thinner brushes is also recommended. Sanba hair is a raw hair that is not available in the market today. It is very rare and valuable. The production site is Kumano-cho, Hiroshima Prefecture, famous for its brushes, and the products are made with techniques handed down over many years. Each brush is produced by craftsmen while respecting traditional Japanese culture. Usage:Design, calligraphy, ink painting Main raw material:Sanba, Amao,deer hair Full length:280mm Brush head diameter:4mm Brush head length:52mm Product Details:This brush is Design, calligraphy, ink painting, can draw unique lines

The Sanba brush is a product that boasts strong bristles and a unique writing feel. The bristles are thick and hard to clump together, producing a unique and powerful line. The bristles are so stiff that they make a cracking sound when used. The ink is well absorbed, but depending on the writing speed, it tends to blur, which also makes it possible to express a rich flavor. Suitable for a wide range of uses, such as design calligraphy, this brush can be used to create works that take advantage of its unique line quality. Furthermore, by combining two brushes into a “combined brush”, you can express even more varied and attractive lines. Combination with softer or thinner brushes is also recommended. Sanba hair is a raw hair that is not available in the market today. It is very rare and valuable. The production site is Kumano-cho, Hiroshima Prefecture, famous for its brushes, and the products are made with techniques handed down over many years. Each brush is produced by craftsmen while respecting traditional Japanese culture. Usage:Design, calligraphy, ink painting Main raw material:Sanba, Amao,deer hair Full length:290mm Brush head diameter:5mm Brush head length:63mm Product Details:This brush is Design, calligraphy, ink painting, can draw unique lines

The Sanba brush is a product that boasts strong bristles and a unique writing feel. The bristles are thick and hard to clump together, producing a unique and powerful line. The bristles are so stiff that they make a cracking sound when used. The ink is well absorbed, but depending on the writing speed, it tends to blur, which also makes it possible to express a rich flavor. Suitable for a wide range of uses, such as design calligraphy, this brush can be used to create works that take advantage of its unique line quality. Furthermore, by combining two brushes into a “combined brush”, you can express even more varied and attractive lines. Combination with softer or thinner brushes is also recommended. Sanba hair is a raw hair that is not available in the market today. It is very rare and valuable. The production site is Kumano-cho, Hiroshima Prefecture, famous for its brushes, and the products are made with techniques handed down over many years. Each brush is produced by craftsmen while respecting traditional Japanese culture. Usage:Design, calligraphy, ink painting Main raw material:Sanba, Amao,deer hair Full length:300mm Brush head diameter:5mm Brush head length:72mm Product Details:This brush is Design, calligraphy, ink painting, can draw unique lines

Usage:japanese painting,ink painting,japanese characters,付立筆(tsuketate-fude) Main raw material:black raccoon dog hair, black horse tail hair, deer hair, goat hair Full length:295mm Brush head diameter:7.9mm Brush head length:52mm Product Details: The center of the brush tip is made of black raccoon dog and black horse tail hair, which have elasticity and strength, and have a good firmness at the tip and the waist. It is also used as a brush for japanese characters. The soft, long nib allows you to draw flowing lines. The use of firm bristles in the center of the nib allows for thicker lines to be drawn. This brush can continue to draw long lines, making it suitable for writing large picture letters, and in recent years, it has been widely used for unconventional design calligraphy. They are also appreciated as gifts due to their beautiful appearance.

Usage:Japanese kana brush, line drawing brush, Japanese painting, Suiboku-ga (ink painting), Emoteki (picture letter) Main raw material:Kolinsky, Weasel Full length:244mm Brush head diameter:5mm Brush head length:32mm Product Details:This brush is made of Kolinsky hair, which gives the tip of the brush a well-defined, supple writing feel. It can also be used for drawing lines on picture letters. -------------------- CAT:Japanese calligraphy brushes https://en.sgd-fude.shop/categories/4813307

Gokuhin Kana Brushes are authentic brushes made of weasel hair. It has the flexibility characteristic of weasel hair, and the tip of the brush has excellent control. The tip of the brush has excellent control. The tip can be used for fine writing such as fine kana and name writing. The brushes are produced in Kumano Town, Hiroshima Prefecture, which is famous for its brushes, using techniques that have been handed down for many years. Each brush is individually produced by craftsmen while respecting traditional Japanese culture. Main raw material:weasel Full length:216mm Brush head diameter:3.5mm Brush head length:18mm Product Details:Kana writing, calligraphy (CAT:Gokuhin-kanafude) Gokuhin-kanafude S https://en.sgd-fude.shop/items/86619561 Gokuhin-kanafude M https://en.sgd-fude.shop/items/86619622 Gokuhin-kanafude L https://en.sgd-fude.shop/items/86619656

Gokuhin Kana Brushes are authentic brushes made of weasel hair. It has the flexibility characteristic of weasel hair, and the tip of the brush has excellent control. The tip of the brush has excellent control. The tip can be used for fine writing such as fine kana and name writing. The brushes are produced in Kumano Town, Hiroshima Prefecture, which is famous for its brushes, using techniques that have been handed down for many years. Each brush is individually produced by craftsmen while respecting traditional Japanese culture. Main raw material:weasel Full length:220 Brush head diameter:3.5mm Brush head length:21mm Product Details:Kana writing, calligraphy (CAT:Gokuhin-kanafude) Gokuhin-kanafude S https://en.sgd-fude.shop/items/86619561 Gokuhin-kanafude M https://en.sgd-fude.shop/items/86619622 Gokuhin-kanafude L https://en.sgd-fude.shop/items/86619656

Gokuhin Kana Brushes are authentic brushes made of weasel hair. It has the flexibility characteristic of weasel hair, and the tip of the brush has excellent control. The tip of the brush has excellent control. The tip can be used for fine writing such as fine kana and name writing. The brushes are produced in Kumano Town, Hiroshima Prefecture, which is famous for its brushes, using techniques that have been handed down for many years. Each brush is individually produced by craftsmen while respecting traditional Japanese culture. Main raw material:weasel Full length:22ｍｍ Brush head diameter:4mm Brush head length:24mm Product Details:Kana writing, calligraphy (CAT:Gokuhin-kanafude) Gokuhin-kanafude S https://en.sgd-fude.shop/items/86619561 Gokuhin-kanafude M https://en.sgd-fude.shop/items/86619622 Gokuhin-kanafude L https://en.sgd-fude.shop/items/86619656

Usage:Line drawing brushes, face brushes, Japanese painting, ink painting, watercolor painting, maki-e, traditional crafts Main raw material:weasel Full length:198mm Brush head diameter:1.5mm Brush head length:21mm The Itachi Menso Super Fine (Menso Brush) is an extra-fine brush made from weasel hair. These brushes are highly regarded in the fields of ceramics, dyeing and other crafts. The tip of the brush is soft but resilient, and is finished to a very fine point. It has the characteristic bending and strength of the weasel hair, which makes it possible to draw smoothly even with highly viscous paints such as glazes. It is very useful for drawing fine designs and patterns, and enables delicate handwork. Can also be used as a maki-e brush. Production takes place in Kumano, Hiroshima Prefecture, a town famous for its brushes, where they are made using techniques handed down over many years. Each brush is individually produced by craftsmen while respecting traditional Japanese culture. From the selection of the weasel hair to the meticulous attention to detail, this is a gem of a product made with the utmost care and attention to detail.

Usage:Line drawing brushes, face brushes, Japanese painting, ink painting, watercolor painting, maki-e, traditional crafts Main raw material:weasel Full length:227mm Brush head diameter:2.4mm Brush head length:26mm Product Details:This brush is suitable for painting detailed parts such as eyes, mouths, and noses of living creatures. This brush's head is 1.7 times longer than that of the "ITACHI-MENSO S" allowing for long, thin lines to be drawn. The flexibility of the weasel hair and the sharpness of the tip of the brush make it possible to draw fine lines and detailed drawings. It also contains water well and does not easily run out of ink, so you can continue to draw natural lines. It is also used for drawing people, animal hair, flowers, grass, etc. It is also used in traditional crafts such as pottery painting and yuzen dyeing. -------------------- (CAT:Itachi-Menso-fude) ITACHI-MENSO SS https://en.sgd-fude.shop/items/69344607 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 ITACHI-MENSO L https://en.sgd-fude.shop/items/69344614 ITACHI-MENSO LL https://en.sgd-fude.shop/items/69344616 ITACHI-MENSO-TENTSUKE https://en.sgd-fude.shop/items/69344617 ITACHI-MENSO SS LONG https://en.sgd-fude.shop/items/69344543 ITACHI-MENSO S LONG https://en.sgd-fude.shop/items/69344542

Usage:Line drawing brushes, face brushes, Japanese painting, ink painting, watercolor painting, maki-e, traditional crafts Main raw material:weasel Full length:216mm Brush head diameter:2mm Brush head length:21mm Product Details:This brush can continue to draw fine lines without changing boldness. This brush is suitable for writing fine details such as eyes, mouths, and noses of living creatures. The long, ultra-fine brush head excels at drawing long, thin lines. The brush head is made of weasel hair, so it is well watered and can be used for continuous drawing without running out of ink. It is also very flexible and stretchy, and can be used for drawing fine patterns, people's hair, animal hair, and many other applications. This brush is popular not only for Japanese-style painting and ink painting, but also for ceramics, dyeing, and other crafts. -------------------- (CAT:Itachi-Menso-fude) ITACHI-MENSO SS https://en.sgd-fude.shop/items/69344607 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 ITACHI-MENSO L https://en.sgd-fude.shop/items/69344614 ITACHI-MENSO LL https://en.sgd-fude.shop/items/69344616 ITACHI-MENSO-TENTSUKE https://en.sgd-fude.shop/items/69344617 ITACHI-MENSO SS LONG ( https://en.sgd-fude.shop/items/69344543 ITACHI-MENSO S LONG https://en.sgd-fude.shop/items/69344542

Usage:Japanese painting.ink painting. Main raw material:Black raccoon, weasel, goat hair, goat tail hair, deer Full length:262mm Brush head diameter:7.5mm Brush head length:35mm Product Details:This is a brush for japanese painting and suiboku-ga (ink painting), which can be used for all purposes. With moderate elasticity and good water retention, this brush is especially suited for Suiboku-ga. The tip can also be used to draw lines. The side of the brush can also be used to draw a shape on the surface of the brush without drawing an outline, taking advantage of its elasticity and water content. -------------------- (CAT:TOKUSEI-CHORYU) TOKUSEI-CHORYU S https://en.sgd-fude.shop/items/69344560 TOKUSEI-CHORYU M https://en.sgd-fude.shop/items/69344562 TOKUSEI-CHORYU L https://en.sgd-fude.shop/items/69344563 TOKUSEI-CHORYU XL https://en.sgd-fude.shop/items/69344564

Usage:Japanese painting.ink painting. Main raw material:Black raccoon, weasel,goat hair, goat tail, deer Full length:268mm Brush head diameter:8.5mm Brush head length:40mm Product Details:This is a brush for japanese painting and suiboku-ga (ink painting), which can be used for all purposes. With moderate elasticity and good water retention, this brush is especially suited for Suiboku-ga. The tip can also be used to draw lines. The side of the brush can also be used to draw a shape on the surface of the brush without drawing an outline, taking advantage of its elasticity and water content. -------------------- (CAT:TOKUSEI-CHORYU) TOKUSEI-CHORYU S https://en.sgd-fude.shop/items/69344560 TOKUSEI-CHORYU M https://en.sgd-fude.shop/items/69344562 TOKUSEI-CHORYU L https://en.sgd-fude.shop/items/69344563 TOKUSEI-CHORYU XL https://en.sgd-fude.shop/items/69344564

Usage:Japanese painting.ink painting. Main raw material:Black raccoon, weasel,goat hair, goat tail, deer Full length:271mm Brush head diameter:9.5mm Brush head length:44mm Product Details:This is a brush for japanese painting and suiboku-ga (ink painting), which can be used for all purposes. With moderate elasticity and good water retention, this brush is especially suited for Suiboku-ga. The tip can also be used to draw lines. The side of the brush can also be used to draw a shape on the surface of the brush without drawing an outline, taking advantage of its elasticity and water content. -------------------- (CAT:TOKUSEI-CHORYU) TOKUSEI-CHORYU S https://en.sgd-fude.shop/items/69344560 TOKUSEI-CHORYU M https://en.sgd-fude.shop/items/69344562 TOKUSEI-CHORYU L https://en.sgd-fude.shop/items/69344563 TOKUSEI-CHORYU XL https://en.sgd-fude.shop/items/69344564

Usage:Japanese painting.ink painting. Main raw material:Black raccoon, weasel,goat hair, goat tail, deer Full length:275mm Brush head diameter:10mm Brush head length:49mm Product Details:This is a brush for japanese painting and suiboku-ga (ink painting), which can be used for all purposes. With moderate elasticity and good water retention, this brush is especially suited for Suiboku-ga. The tip can also be used to draw lines. The side of the brush can also be used to draw a shape on the surface of the brush without drawing an outline, taking advantage of its elasticity and water content. -------------------- (CAT:TOKUSEI-CHORYU) TOKUSEI-CHORYU S https://en.sgd-fude.shop/items/69344560 TOKUSEI-CHORYU M https://en.sgd-fude.shop/items/69344562 TOKUSEI-CHORYU L https://en.sgd-fude.shop/items/69344563 TOKUSEI-CHORYU XL https://en.sgd-fude.shop/items/69344564

Usage:Line drawing brush, face painting, japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:weasel Full length:193mm Brush head diameter:2mm Brush head length:15mm Product Details:The Itachi Menso Brush is a line-drawing brush with an extremely thin and sharp tip. This brush is suitable for drawing in fine details. It is also used for coloring in details. The size can be selected according to the application. This brush is made of weasel hair, which is considered to be of high quality because of its water retention, strong elasticity, durability, and supple line quality. and is considered to be of high quality. This brush is also used by professionals in the world of crafts such as yuzen dyeing and ceramic painting. (CAT:Itachi-Menso-fude) ITACHI-MENSO SS https://en.sgd-fude.shop/items/69344607 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 ITACHI-MENSO L https://en.sgd-fude.shop/items/69344614 ITACHI-MENSO LL https://en.sgd-fude.shop/items/69344616 ITACHI-MENSO-TENTSUKE https://en.sgd-fude.shop/items/69344617 ITACHI-MENSO SS LONG https://en.sgd-fude.shop/items/69344543 ITACHI-MENSO S LONG https://en.sgd-fude.shop/items/69344542

Usage:Line drawing brush, face painting, japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:weasel Full length:215mm Brush head diameter:3mm Brush head length:15mm Product Details:The Itachi Menso Brush is a line-drawing brush with an extremely thin and sharp tip. This brush is suitable for drawing in fine details. It is also used for coloring in details. The size can be selected according to the application. This brush is made of weasel hair, which is considered to be of high quality because of its water retention, strong elasticity, durability, and supple line quality. and is considered to be of high quality. This brush is also used by professionals in the world of crafts such as yuzen dyeing and ceramic painting. (CAT:Itachi-Menso-fude) ITACHI-MENSO SS https://en.sgd-fude.shop/items/69344607 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 ITACHI-MENSO L https://en.sgd-fude.shop/items/69344614 ITACHI-MENSO LL https://en.sgd-fude.shop/items/69344616 ITACHI-MENSO-TENTSUKE https://en.sgd-fude.shop/items/69344617 ITACHI-MENSO SS LONG https://en.sgd-fude.shop/items/69344543 ITACHI-MENSO S LONG https://en.sgd-fude.shop/items/69344542

Usage:Line drawing brush, face painting, japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:weasel Full length:218mm Brush head diameter:3.5mm Brush head length:18mm Product Details:The Itachi Menso Brush is a line-drawing brush with an extremely thin and sharp tip. This brush is suitable for drawing in fine details. It is also used for coloring in details. The size can be selected according to the application. This brush is made of weasel hair, which is considered to be of high quality because of its water retention, strong elasticity, durability, and supple line quality. and is considered to be of high quality. This brush is also used by professionals in the world of crafts such as yuzen dyeing and ceramic painting. (CAT:Itachi-Menso-fude) ITACHI-MENSO SS https://en.sgd-fude.shop/items/69344607 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 ITACHI-MENSO L https://en.sgd-fude.shop/items/69344614 ITACHI-MENSO LL https://en.sgd-fude.shop/items/69344616 ITACHI-MENSO-TENTSUKE https://en.sgd-fude.shop/items/69344617 ITACHI-MENSO SS LONG https://en.sgd-fude.shop/items/69344543 ITACHI-MENSO S LONG https://en.sgd-fude.shop/items/69344542

Usage:Line drawing brush, face painting, japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:weasel Full length:220mm Brush head diameter:4mm Brush head length:21mm Product Details:The Itachi Menso Brush is a line-drawing brush with an extremely thin and sharp tip. This brush is suitable for drawing in fine details. It is also used for coloring in details. The size can be selected according to the application. This brush is made of weasel hair, which is considered to be of high quality because of its water retention, strong elasticity, durability, and supple line quality. and is considered to be of high quality. This brush is also used by professionals in the world of crafts such as yuzen dyeing and ceramic painting. (CAT:Itachi-Menso-fude) ITACHI-MENSO SS https://en.sgd-fude.shop/items/69344607 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 ITACHI-MENSO L https://en.sgd-fude.shop/items/69344614 ITACHI-MENSO LL https://en.sgd-fude.shop/items/69344616 ITACHI-MENSO-TENTSUKE https://en.sgd-fude.shop/items/69344617 ITACHI-MENSO SS LONG https://en.sgd-fude.shop/items/69344543 ITACHI-MENSO S LONG https://en.sgd-fude.shop/items/69344542

Usage:Line drawing brush, face painting, japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:weasel Full length:223mm Brush head diameter:4.5mm Brush head length:26mm Product Details:The Itachi Menso Brush is a line-drawing brush with an extremely thin and sharp tip. This brush is suitable for drawing in fine details. It is also used for coloring in details. The size can be selected according to the application. This brush is made of weasel hair, which is considered to be of high quality because of its water retention, strong elasticity, durability, and supple line quality. and is considered to be of high quality. This brush is also used by professionals in the world of crafts such as yuzen dyeing and ceramic painting. (CAT:Itachi-Menso-fude) ITACHI-MENSO SS https://en.sgd-fude.shop/items/69344607 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 ITACHI-MENSO L https://en.sgd-fude.shop/items/69344614 ITACHI-MENSO LL https://en.sgd-fude.shop/items/69344616 ITACHI-MENSO-TENTSUKE https://en.sgd-fude.shop/items/69344617 ITACHI-MENSO SS LONG https://en.sgd-fude.shop/items/69344543 ITACHI-MENSO S LONG https://en.sgd-fude.shop/items/69344542

Usage:Line drawing brush, face painting, japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:weasel Full length:170mm Brush head diameter:3mm Brush head length:12mm Product Details:This brush uses mainly weasel hair and is specialized for dot painting.。 It is used in the field of design and perspective. We devise ways to place the paint in a beautiful ball shape. This brush has a short conical shape. Therefore, the lines are rounded and gentle. Popular with those who want to use it differently, as it has a completely different shape from other pumice brushes. How to paint dots Apply water and paint to the brush and lower it vertically. The size of the dot is determined by adjusting the amount of water. (CAT:Itachi-Menso-fude) ITACHI-MENSO SS https://en.sgd-fude.shop/items/69344607 ITACHI-MENSO S https://en.sgd-fude.shop/items/69344609 ITACHI-MENSO M https://en.sgd-fude.shop/items/69344610 ITACHI-MENSO L https://en.sgd-fude.shop/items/69344614 ITACHI-MENSO LL https://en.sgd-fude.shop/items/69344616 ITACHI-MENSO-TENTSUKE https://en.sgd-fude.shop/items/69344617 ITACHI-MENSO SS LONG https://en.sgd-fude.shop/items/69344543 ITACHI-MENSO S LONG https://en.sgd-fude.shop/items/69344542

Usage:Japanese paintings, Maki-e lacquerware, handicrafts Main raw:White raccoon Full length:193mm Brush head diameter:2mm Brush head length:15mm Product Details:This brush is used for special painting materials. This brush is made only with raccoon dog hair. Therefore, it is very resilient and is suitable for use with highly viscous materials such as gold paint and lacquer.

Usage:Japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:white cat hair Full length:160mm Brush head diameter:1.0mm Brush head length:6mm Product Details:This brush is a short-haired ultra-fine brush made of soft cat hair. This brush is soft, but has elasticity and good water retention. It is also suitable for short lines, dots, and detail coloring. Since it excels at detailed work, it is popular among professionals and those who want to use it in special ways. The amount of cat hairs that can be taken from the raw hairs is particularly small, with only about 5 to 7 grams remaining from 100 grams of raw hairs. It is very expensive and rare. -------------------- Click here for a list of Hakkei (CAT:Hakkei) HAKKEI S https://en.sgd-fude.shop/items/69344699 HAKKEI M https://en.sgd-fude.shop/items/69344701 HAKKEI L https://en.sgd-fude.shop/items/69344702 Click here for a list of Menso brushes (CAT:Menso-fude) https://en.sgd-fude.shop/search?q=menso-fude

Usage:Japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:white cat hair Full length:164mm Brush head diameter:1.5mm Brush head length:7.5mm Product Details:This brush is a short-haired ultra-fine brush made of soft cat hair. This brush is soft, but has elasticity and good water retention. It is also suitable for short lines, dots, and detail coloring. Since it excels at detailed work, it is popular among professionals and those who want to use it in special ways. The amount of cat hairs that can be taken from the raw hairs is particularly small, with only about 5 to 7 grams remaining from 100 grams of raw hairs. It is very expensive and rare. -------------------- Click here for a list of Hakkei (CAT:Hakkei) HAKKEI S https://en.sgd-fude.shop/items/69344699 HAKKEI M https://en.sgd-fude.shop/items/69344701 HAKKEI L https://en.sgd-fude.shop/items/69344702 Click here for a list of Menso brushes (CAT:Menso-fude) https://en.sgd-fude.shop/search?q=menso-fude

Usage:Japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:white cat hair Full length:167mm Brush head diameter:2.0mm Brush head length:9mm Product Details:This brush is a short-haired ultra-fine brush made of soft cat hair. This brush is soft, but has elasticity and good water retention. It is also suitable for short lines, dots, and detail coloring. Since it excels at detailed work, it is popular among professionals and those who want to use it in special ways. The amount of cat hairs that can be taken from the raw hairs is particularly small, with only about 5 to 7 grams remaining from 100 grams of raw hairs. It is very expensive and rare. -------------------- Click here for a list of Hakkei (CAT:Hakkei) AKKEI S https://en.sgd-fude.shop/items/69344699 HAKKEI M https://en.sgd-fude.shop/items/69344701 HAKKEI L https://en.sgd-fude.shop/items/69344702 Click here for a list of Menso brushes (CAT:Menso-fude) https://en.sgd-fude.shop/search?q=menso-fude

Usage:Line drawing brushes, face brushes, Japanese painting, ink painting, watercolor painting, maki-e, traditional crafts Main raw material:Pahmi Full length:227mm Brush head diameter:3mm Brush head length:22mm Product Details:This brush is suitable for writing on the eyes, mouth, nose, and other fine details of living creatures.It is widely used in Japanese painting, watercolor painting, and crafts. Pahmi hair are very elastic all the way to the brush tip, so even though the tips are made thin, they have strength and are suitable for drawing thin, strong lines. Because of its strong brush tip, it is used to draw fine patterns and expressions of dolls, such as pottery painting, and for crafts that use highly viscous dyes. By adjusting the amount of water used, it is possible to continue drawing lines of a certain fineness. This brush is popular among beginners because it allows them to draw fine lines at will. For drawing softer lines, the "Itachi Menso" Brush is better. -------------------- (CAT:ORONPI-MENSO) ORONPY-MENSO S https://en.sgd-fude.shop/items/69344544 ORONPY-MENSO M https://en.sgd-fude.shop/items/69344545 ORONPY-MENSO L https://en.sgd-fude.shop/items/69344546

Usage:Line drawing brushes, face brushes, Japanese painting, ink painting, watercolor painting, maki-e, traditional crafts Main raw material:Pahmi Full length:230mm Brush head diameter:3.5mm Brush head length:25mm Product Details:This brush is suitable for writing on the eyes, mouth, nose, and other fine details of living creatures.It is widely used in Japanese painting, watercolor painting, and crafts. Pahmi hair are very elastic all the way to the brush tip, so even though the tips are made thin, they have strength and are suitable for drawing thin, strong lines. Because of its strong brush tip, it is used to draw fine patterns and expressions of dolls, such as pottery painting, and for crafts that use highly viscous dyes. By adjusting the amount of water used, it is possible to continue drawing lines of a certain fineness. This brush is popular among beginners because it allows them to draw fine lines at will. For drawing softer lines, the "Itachi Menso" Brush is better. -------------------- (CAT:ORONPI-MENSO) ORONPY-MENSO S https://en.sgd-fude.shop/items/69344544 ORONPY-MENSO M https://en.sgd-fude.shop/items/69344545 ORONPY-MENSO L https://en.sgd-fude.shop/items/69344546

Usage:Line drawing brushes, face brushes, Japanese painting, ink painting, watercolor painting, maki-e, traditional crafts Main raw material:Pahmi Full length:235mm Brush head diameter:4mm Brush head length:28mm Product Details:This brush is suitable for writing on the eyes, mouth, nose, and other fine details of living creatures.It is widely used in Japanese painting, watercolor painting, and crafts. Pahmi hair are very elastic all the way to the brush tip, so even though the tips are made thin, they have strength and are suitable for drawing thin, strong lines. Because of its strong brush tip, it is used to draw fine patterns and expressions of dolls, such as pottery painting, and for crafts that use highly viscous dyes. By adjusting the amount of water used, it is possible to continue drawing lines of a certain fineness. This brush is popular among beginners because it allows them to draw fine lines at will. For drawing softer lines, the "Itachi Menso" Brush is better. -------------------- (CAT:ORONPI-MENSO) ORONPY-MENSO S https://en.sgd-fude.shop/items/69344544 ORONPY-MENSO M https://en.sgd-fude.shop/items/69344545 ORONPY-MENSO L https://en.sgd-fude.shop/items/69344546

Usage:Line drawing brush, Japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:white raccoon dog, deer hair Full length:210mm Brush head diameter:4mm Brush head length:24mm Product Details:This brush is a menso brush for Japanese painting, ink painting, and Japanese-style painting. This brush is also used for painting ceramics and other art forms. It has been used in the world of traditional crafts for a long time. It is more elastic and produces harder lines than the Weasel menso Brush. The Shirotanuki Mensho brush has a strong tip and tends not to wear out easily even when a certain amount of strong force is applied to it. It is easy to control and recommended for beginners who are not yet accustomed to the power of the machine. It is also used for special purposes because the brush does not lose to sticky paints such as gold paint It is not compatible with resin-based paints such as acrylic paints and is not recommended. -------------------- (CAT:MENSO-FUDE ) SIROTANUKI-MENSO S https://en.sgd-fude.shop/items/69344695 SIROTANUKI-MENSO L https://en.sgd-fude.shop/items/69344696 KUROTANUKI-MENSO https://en.sgd-fude.shop/items/69344698 JYURISU-MENSO S https://en.sgd-fude.shop/items/69344704 JYURISU-MENSO M https://en.sgd-fude.shop/items/69344705 JYURISU-MENSO L https://en.sgd-fude.shop/items/69344706

Usage:apanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:white raccoon dog, deer hair Full length:217mm Brush head diameter:48mm Brush head length:30mm Product Details:This brush is a menso brush for Japanese painting, ink painting, and Japanese-style painting. This brush is also used for painting ceramics and other art forms. It has been used in the world of traditional crafts for a long time. It is more elastic and produces harder lines than the Weasel menso Brush. The Shirotanuki Mensho brush has a strong tip and tends not to wear out easily even when a certain amount of strong force is applied to it. It is easy to control and recommended for beginners who are not yet accustomed to the power of the machine. It is also used for special purposes because the brush does not lose to sticky paints such as gold paint It is not compatible with resin-based paints such as acrylic paints and is not recommended. -------------------- (CAT:MENSO-FUDE ) SIROTANUKI-MENSO S https://en.sgd-fude.shop/items/69344695 SIROTANUKI-MENSO L https://en.sgd-fude.shop/items/69344696 KUROTANUKI-MENSO https://en.sgd-fude.shop/items/69344698 JYURISU-MENSO S https://en.sgd-fude.shop/items/69344704 JYURISU-MENSO M https://en.sgd-fude.shop/items/69344705 JYURISU-MENSO L https://en.sgd-fude.shop/items/69344706U

UsageLine drawing brush, Japanese painting, ink painting, watercolor painting, maki-e, crafts Main raw material:Black raccoon, goat tail, deer hair Full length:225mm Brush head diameter:38mm Brush head length:26mm Product Details:This brush is a hard ｍenso brush used for Japanese and ink painting. The black raccoon dog hair is especially hard and very elastic at the tip, and is used when you want the tip of the hair to be strong. This brush has been used for a long time for Japanese-style paintings and for masking brushes because it is not defeated by strong, sticky paints such as gold paint. It can also be used for painting ceramics, as it can be painted on hard surfaces. It is not recommended to use acrylic or resin-based paints as they do not work well together. -------------------- (CAT:MENSO-FUDE ) SIROTANUKI-MENSO S https://en.sgd-fude.shop/items/69344695 SIROTANUKI-MENSO L https://en.sgd-fude.shop/items/69344696 KUROTANUKI-MENSO https://en.sgd-fude.shop/items/69344698 JYURISU-MENSO S https://en.sgd-fude.shop/items/69344704 JYURISU-MENSO M https://en.sgd-fude.shop/items/69344705 JYURISU-MENSO L https://en.sgd-fude.shop/items/69344706

Usage:Line drawing brush, Japanese painting, ink painting, watercolor painting, and picture writing. Main raw material:weasel Full length:244mm Brush head diameter:5mm Brush head length:32mm Product Details:This brush is a line drawing brush made of weasel hair. Suitable for drafts of Japanese paintings, etc. The tips of the ear have moderate elasticity, and they hold water and clump well. Flexible lines can be drawn for a long time.