This set will be the basic brushes needed for japanese painting. This set was created for those who are new to japanese painting and are not sure which brush to choose. This set is a minimal mini set. It is intended for smaller sizes. EBAKE 45mm (絵刷毛45mm) https://en.sgd-fude.shop/items/69344679 This brush is used to paint the base and background. The brush is used to paint the entire surface. SOKUMYO M(則妙 中) https://en.sgd-fude.shop/items/69344591 This brush can be used for both coloring and line drawing. It can be used to draw in dark lines using the outline lines transferred on Japanese paper as a guide. It can also be used for coloring as it contains water well, and its thinness allows you to apply even the smallest of details. ITACHI-MENSO S (イタチ面相 小) https://en.sgd-fude.shop/items/69344609 This brush is used for detail writing and finishing. Also used in the first preliminary drawing stage. Japanese painters are also using it. Recommended as a first basic set.

This set is the basic brushes needed for japanese painting.。 This set is designed for those who are not sure which brush to choose when painting japanese painting for the first time. With this set, you can paint small and large pictures, so you can enjoy painting for a long time. This brush is also used by Japanese-style painters. EBAKE 60mm(絵刷毛 60mm) https://en.sgd-fude.shop/items/69344680 This brush is used to paint the base and background. The brush is used to paint the entire surface. KOTSUGAKI M(骨書 中 ) https://en.sgd-fude.shop/items/69344726 この筆は、和紙などに転写されている輪郭線を手掛かりに、濃い線でかいていく。 NYOSUI S(如水 小) https://en.sgd-fude.shop/items/69344710 This brush can be used for both coloring and soft line drawing. TOKUSEI-KUMADORI M(特製隈取 中) https://en.sgd-fude.shop/items/69344576 This brush is used for blending and gradation with water, not for applying paint. ITACHI-MENSO S (イタチ面相 小面相筆） https://shop.sgd-fude.net/items/42601506 This brush is used for detail writing and finishing. Also used in the first preliminary drawing stage.

This brush is a Kumano-Fude, a traditional craft designated by the Japanese Minister of Economy, Trade and Industry. Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:218mm Brush head diameter:7.5mm Brush head length:24mm Product Details: This art brush is for drawing animation background art. It was developed jointly by us and STUDIO GHIBLI. It is an all-purpose brush that can be used for all kinds of drawing. It is also used by professional animators of famous animation production companies. Studio Aoshashin, the background art studio for the anime "Osama-Ranking(王様ランキング)," which has been airing on Fuji Television Network's "Noitamina" since October 14, 2021, has been using our brushes. Mr. Yuji Kaneko, the representative of this studio and the art director of this animation, told us that they use this brush a lot for the background art of this animation because of its rounded touch. Osama Ranking "王様ランキング" https://osama-ranking.com Studio Aoshashin "株式会社青写真" http://aoshashin.jp ---- The story behind the development of the animation brush https://en.sgd-fude.net/feature/1484/deve-animefude/ (CAT:ANIME-FUDE) ANIME-FUDE sakuyo https://en.sgd-fude.shop/items/69344552 ANIME-FUDE kasumi https://en.sgd-fude.shop/items/69344553 ANIME-FUDE madoka https://en.sgd-fude.shop/items/69344766

This brush is a Kumano-Fude, a traditional craft designated by the Japanese Minister of Economy, Trade and Industry. Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:222mm Brush head diameter:6mm Brush head length:28mm Product Details:This brush is used for animation background art. This brush has an elastic tip. The tip of the ear is very well organized. This line drawing brush can draw from fine to thick lines. (CAT:ANIME-FUDE) ANIME-FUDE sakuyo https://en.sgd-fude.shop/items/69344552 ANIME-FUDE kasumi https://en.sgd-fude.shop/items/69344553 ANIME-FUDE madoka https://en.sgd-fude.shop/items/69344766 ------------------------------------------------------------------------------------ This art brush is for drawing animation. It was developed jointly by us and STUDIO GHIBLI. It is also used by professional animators of famous animation production companies. use：drawing lines

Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:222mm Brush head diameter:9mm Brush head length:27mm Product Details:This brush is used for animation background art. Versatile Line Brush for Animation Backgrounds – “Kozue” (Saku-yo Fude) A beginner-friendly brush with excellent control and balance This brush is designed to be easy to use even for beginners, with excellent spring and cohesion at the tip, allowing for a full range of strokes—from fine lines to broad fills. The “Animation Brush – Kozue (Saku-yo)” is carefully crafted to have a slightly finer tip than the “Tokusen Animation Brush – Saku-yo”, but slightly thicker than the “Tokusei Animation Brush – En.” With a longer-than-average tip, it is easier to shape and control, making it suitable for both experienced artists and those just starting out in animation background art. ■ Product Description In professional animation background studios, artists often need to complete many paintings in a day. To save time and reduce the number of brushes needed, they often rely on versatile saku-yo brushes (a type of line brush) capable of performing multiple tasks. In response to such needs, we developed the “Tokusen Animation Brush – Saku-yo” in the early 2000s at the request of a major animation studio. At the time, durability was one of the studio’s primary concerns. Traditional saku-yo brushes would wear down in just one to two weeks under heavy daily use. They asked us to create a brush that could last over a month. After repeated improvements, we produced a brush that used a significantly higher amount of weasel hair than standard brushes—enhancing both performance and longevity. The “Animation Brush – Saku-yo Kozue” offers a more cost-effective solution while still ensuring high durability. While it does use weasel hair, we did not simply increase the weasel content to achieve durability. Instead, we blended in other selected hairs to strike the right balance. This brush is ideal for those beginning their journey into background painting, as well as professionals working in high-output studios. With this one brush, you can handle both line work and painting, and thanks to its longer tip and higher hair volume, it's easier to shape the tip into various forms—especially useful for those new to shaping brush heads. ■ For Hobbyists and Light Use If you're painting at your own pace or pursuing background art as a hobby, a standard saku-yo brush may be sufficient. We currently offer six types of saku-yo brushes, two of which—“Saku-yo Brush – Kanade” and “Tokusei Saku-yo Brush”—are available in our online shop. While these may not match the durability or versatility of the “Tokusen Animation Brush – Saku-yo” (due to differences in tip volume and shaping range), hobbyists or light users can easily compensate by selecting the right brush for what they want to paint. Notably, even professional background artists use the “Tokusei Saku-yo Brush” in production. All of our animation brushes and tools are tested using New TMK Poster Extra Thick paper (Muse) and poster colors (Nicker), both widely used in the animation industry. Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s center of traditional brush-making. Each brush is made with care by artisans who carry forward generations of skill and respect for Japan’s cultural heritage.

Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:227mm Brush head diameter:11mm Brush head length:34mm Product Details:This brush is used for animation background art. This is a line-drawing brush for hand-drawn animation background art. "Animation Brush – Double-Kezuriyō Kobushi" features a bristle volume twice that of our "Special Selection Animation Brush Kezuriyō." ■ Product Description This brush offers excellent spring and cohesion at the tip, allowing for effortless transitions from fine lines to broad strokes. It is a larger version of the standard Kezuriyō animation brush. Despite its size, it is still capable of drawing delicate lines. Our animation brushes and hake brushes are tested and developed using the New TMK Poster Thick Paper by Muse and Poster Colors by Nicker, both commonly used in animation background art production. All of our brushes are crafted with care by our artisans in Kumano Town, Hiroshima Prefecture—renowned as the “town of brushes”—where brush-making techniques have been passed down for generations. While valuing Japan’s traditional culture, each brush is handmade with precision and dedication.

Usage:Animation background art, background painting, line brush, coloring brush, poster color, watercolor Main raw material:High-grade weasel hair, high-grade goat hair, deer hair Full length:233mm Brush head diameter:1mm Brush head length:3mm Product Details:This brush is used for animation background art. This is a line-drawing brush for hand-drawn animation background art. "Animation Brush – Triple Kezuriyō Kobushi" features a bristle volume three times greater than that of our "Special Selection Animation Brush Kezuriyō." ■ Product Description With outstanding spring and cohesion at the tip, this brush allows you to draw everything from delicate lines to broad areas with ease. It is a larger version of the standard Kezuriyō animation brush. Despite its size, it is still capable of producing fine, precise lines. Our animation brushes and hake brushes are tested and developed using materials commonly used in background art production for animation: New TMK Poster Extra Thick Paper by Muse and Poster Colors by Nicker. These brushes are carefully handcrafted by our artisans in Kumano Town, Hiroshima Prefecture—famous as Japan’s “brush capital.” We carry on the traditional techniques passed down through generations while honoring Japanese cultural heritage. Each brush is meticulously made, one by one, with dedication and skill.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：252mm Brush head Width：13mm Brush head length：24mm Product Details：Designed for writing animated backgrounds TSpecial Flat Brush for Hand-Drawn Animation Background Art This specially made flat brush is designed for hand-painted backgrounds in animation. It is ideal not only for base coating and line work in animation background painting, but also for Nihonga (Japanese painting), graphic design, and poster work. The brush features a thick, well-structured tip that holds a large amount of paint, allowing for broad coverage with a single stroke. Thanks to its generous volume, it also excels at lifting color (such as creating highlights or wiping away paint to reveal the paper base when painting clouds). Compared to the “Animation Flat Brush - Kozue” of the same size, this Special Animation Flat Brush contains more goat hair, giving the tip extra volume. However, it is made using carefully selected, slightly slender and resilient high-quality goat hair (from the tail of mountain goats), allowing the brush tip to close neatly for precise line work as well. If you're looking for a standard flat brush with balanced thickness and firmness, we recommend the “Animation Flat Brush - Kozue.” However, this Special Animation Flat Brush is especially suitable for animation background studios seeking efficiency in large-scale base coating work. All of our animation brushes and tools are tested using materials commonly used in professional background art: the “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker. Our products are handcrafted by artisans in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is carefully made using time-honored techniques passed down through generations, preserving the spirit of Japanese craftsmanship and culture.

sage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：255mm Brush head Width：16mm Brush head length：25mm Product Details：Designed for writing animated backgrounds TSpecial Flat Brush for Hand-Drawn Animation Background Art This specially made flat brush is designed for hand-painted backgrounds in animation. It is ideal not only for base coating and line work in animation background painting, but also for Nihonga (Japanese painting), graphic design, and poster work. The brush features a thick, well-structured tip that holds a large amount of paint, allowing for broad coverage with a single stroke. Thanks to its generous volume, it also excels at lifting color (such as creating highlights or wiping away paint to reveal the paper base when painting clouds). Compared to the “Animation Flat Brush - Kozue” of the same size, this Special Animation Flat Brush contains more goat hair, giving the tip extra volume. However, it is made using carefully selected, slightly slender and resilient high-quality goat hair (from the tail of mountain goats), allowing the brush tip to close neatly for precise line work as well. If you're looking for a standard flat brush with balanced thickness and firmness, we recommend the “Animation Flat Brush - Kozue.” However, this Special Animation Flat Brush is especially suitable for animation background studios seeking efficiency in large-scale base coating work. All of our animation brushes and tools are tested using materials commonly used in professional background art: the “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker. Our products are handcrafted by artisans in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is carefully made using time-honored techniques passed down through generations, preserving the spirit of Japanese craftsmanship and culture.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：260mm Brush head Width：19mm Brush head length：27mm Product Details：Designed for writing animated backgrounds TSpecial Flat Brush for Hand-Drawn Animation Background Art This specially made flat brush is designed for hand-painted backgrounds in animation. It is ideal not only for base coating and line work in animation background painting, but also for Nihonga (Japanese painting), graphic design, and poster work. The brush features a thick, well-structured tip that holds a large amount of paint, allowing for broad coverage with a single stroke. Thanks to its generous volume, it also excels at lifting color (such as creating highlights or wiping away paint to reveal the paper base when painting clouds). Compared to the “Animation Flat Brush - Kozue” of the same size, this Special Animation Flat Brush contains more goat hair, giving the tip extra volume. However, it is made using carefully selected, slightly slender and resilient high-quality goat hair (from the tail of mountain goats), allowing the brush tip to close neatly for precise line work as well. If you're looking for a standard flat brush with balanced thickness and firmness, we recommend the “Animation Flat Brush - Kozue.” However, this Special Animation Flat Brush is especially suitable for animation background studios seeking efficiency in large-scale base coating work. All of our animation brushes and tools are tested using materials commonly used in professional background art: the “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker. Our products are handcrafted by artisans in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is carefully made using time-honored techniques passed down through generations, preserving the spirit of Japanese craftsmanship and culture.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：262mm Brush head Width：22mm Brush head length：27mm Product Details：Designed for writing animated backgrounds TAnimation Flat Brush “Kozue” – For Hand-Drawn Background Art This flat brush is specially designed for hand-drawn animation backgrounds. It is ideal not only for base coating and outlining in animation background work, but also for use in Nihonga (Japanese painting), design, and poster production. The “Animation Flat Brush – Kozue” is made with a thicker brush head than standard design flat brushes, allowing it to hold more paint and deliver solid coverage with a single stroke. Thanks to its generous tip volume, it also performs well for paint-lifting techniques (such as wiping off paint to expose the paper surface when creating clouds or highlights). Despite its volume, the tip closes cleanly, making it perfectly suitable for line work as well. The sharply tapered tip makes it particularly effective for painting structures, edges, and surfaces—an excellent choice for background artists who prefer flat brushes for detailed rendering instead of round (senbyō) brushes. If you’re seeking a flat brush with even greater paint capacity for large-scale base coating, we recommend our “Special Animation Flat Brush”, which offers even more volume than this Kozue model and is designed for efficient work in busy background art studios. All of our animation brushes are tested using materials commonly employed in professional background art production: New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s brush-making capital. Each brush is carefully made by skilled artisans who carry on traditional techniques, with deep respect for Japanese culture and craftsmans

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：263mm Brush head Width：21mm Brush head length：28mm Product Details：Designed for writing animated backgrounds TSpecial Flat Brush for Hand-Drawn Animation Background Art This specially made flat brush is designed for hand-painted backgrounds in animation. It is ideal not only for base coating and line work in animation background painting, but also for Nihonga (Japanese painting), graphic design, and poster work. The brush features a thick, well-structured tip that holds a large amount of paint, allowing for broad coverage with a single stroke. Thanks to its generous volume, it also excels at lifting color (such as creating highlights or wiping away paint to reveal the paper base when painting clouds). Compared to the “Animation Flat Brush - Kozue” of the same size, this Special Animation Flat Brush contains more goat hair, giving the tip extra volume. However, it is made using carefully selected, slightly slender and resilient high-quality goat hair (from the tail of mountain goats), allowing the brush tip to close neatly for precise line work as well. If you're looking for a standard flat brush with balanced thickness and firmness, we recommend the “Animation Flat Brush - Kozue.” However, this Special Animation Flat Brush is especially suitable for animation background studios seeking efficiency in large-scale base coating work. All of our animation brushes and tools are tested using materials commonly used in professional background art: the “New TMK Poster Extra Thick” paper by Muse and poster colors by Nicker. Our products are handcrafted by artisans in Kumano, Hiroshima, a town renowned for its brush-making tradition. Each brush is carefully made using time-honored techniques passed down through generations, preserving the spirit of Japanese craftsmanship and culture.

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：250mm Brush head Width：13mm Brush head length：25mm Product Details：Designed for writing animated backgrounds TAnimation Flat Brush “Kozue” – For Hand-Drawn Background Art This flat brush is specially designed for hand-drawn animation backgrounds. It is ideal not only for base coating and outlining in animation background work, but also for use in Nihonga (Japanese painting), design, and poster production. The “Animation Flat Brush – Kozue” is made with a thicker brush head than standard design flat brushes, allowing it to hold more paint and deliver solid coverage with a single stroke. Thanks to its generous tip volume, it also performs well for paint-lifting techniques (such as wiping off paint to expose the paper surface when creating clouds or highlights). Despite its volume, the tip closes cleanly, making it perfectly suitable for line work as well. The sharply tapered tip makes it particularly effective for painting structures, edges, and surfaces—an excellent choice for background artists who prefer flat brushes for detailed rendering instead of round (senbyō) brushes. If you’re seeking a flat brush with even greater paint capacity for large-scale base coating, we recommend our “Special Animation Flat Brush”, which offers even more volume than this Kozue model and is designed for efficient work in busy background art studios. All of our animation brushes are tested using materials commonly employed in professional background art production: New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s brush-making capital. Each brush is carefully made by skilled artisans who carry on traditional techniques, with deep respect for Japanese culture and craftsmans

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：257mm Brush head Width：15mm Brush head length：25mm Product Details：Designed for writing animated backgrounds TAnimation Flat Brush “Kozue” – For Hand-Drawn Background Art This flat brush is specially designed for hand-drawn animation backgrounds. It is ideal not only for base coating and outlining in animation background work, but also for use in Nihonga (Japanese painting), design, and poster production. The “Animation Flat Brush – Kozue” is made with a thicker brush head than standard design flat brushes, allowing it to hold more paint and deliver solid coverage with a single stroke. Thanks to its generous tip volume, it also performs well for paint-lifting techniques (such as wiping off paint to expose the paper surface when creating clouds or highlights). Despite its volume, the tip closes cleanly, making it perfectly suitable for line work as well. The sharply tapered tip makes it particularly effective for painting structures, edges, and surfaces—an excellent choice for background artists who prefer flat brushes for detailed rendering instead of round (senbyō) brushes. If you’re seeking a flat brush with even greater paint capacity for large-scale base coating, we recommend our “Special Animation Flat Brush”, which offers even more volume than this Kozue model and is designed for efficient work in busy background art studios. All of our animation brushes are tested using materials commonly employed in professional background art production: New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s brush-making capital. Each brush is carefully made by skilled artisans who carry on traditional techniques, with deep respect for Japanese culture and craftsmans

Usage：Animation Background Art,Design,Watercolor Painting,Text depiction Main raw material：highest grade goat's tail Full length：257mm Brush head Width：20mm Brush head length：25mm Product Details：Designed for writing animated backgrounds TAnimation Flat Brush “Kozue” – For Hand-Drawn Background Art This flat brush is specially designed for hand-drawn animation backgrounds. It is ideal not only for base coating and outlining in animation background work, but also for use in Nihonga (Japanese painting), design, and poster production. The “Animation Flat Brush – Kozue” is made with a thicker brush head than standard design flat brushes, allowing it to hold more paint and deliver solid coverage with a single stroke. Thanks to its generous tip volume, it also performs well for paint-lifting techniques (such as wiping off paint to expose the paper surface when creating clouds or highlights). Despite its volume, the tip closes cleanly, making it perfectly suitable for line work as well. The sharply tapered tip makes it particularly effective for painting structures, edges, and surfaces—an excellent choice for background artists who prefer flat brushes for detailed rendering instead of round (senbyō) brushes. If you’re seeking a flat brush with even greater paint capacity for large-scale base coating, we recommend our “Special Animation Flat Brush”, which offers even more volume than this Kozue model and is designed for efficient work in busy background art studios. All of our animation brushes are tested using materials commonly employed in professional background art production: New TMK Poster Extra Thick paper (by Muse) and poster colors (by Nicker). Our brushes are handcrafted in Kumano, Hiroshima, a town known as Japan’s brush-making capital. Each brush is carefully made by skilled artisans who carry on traditional techniques, with deep respect for Japanese culture and craftsmans

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:255mm Brush head Width：18mm Brush head thickness:6mm Brush head length:30mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush. Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:255mm Brush head Width：30mm Brush head thickness:6mm Brush head length:30mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush. Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:255mm Brush head Width：42mm Brush head thickness:6mm Brush head length:30mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush. Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:265mm Brush head Width：24mm Brush head thickness:7mm Brush head length:39mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:265mm Brush head Width：38mm Brush head thickness:7mm Brush head length:39mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:265mm Brush head Width：58mm Brush head thickness:7mm Brush head length:39mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:277mm Brush head Width：25mm Brush head thickness:8mm Brush head length:45mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:277mm Brush head Width：43mm Brush head thickness:8mm Brush head length:45mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.

Usage:Nihonga (Japanese painting).Sumi-e (ink painting) Main raw material:goat hair Full length:277mm Brush head Width：60mm Brush head thickness:8mm Brush head length:45mm This brush has a wooden handle. Product Details:Nihonga (Japanese painting).Sumi-e (ink painting) Multiple high-quality coloring brushes are arranged in parallel to form a brush-like shape, allowing for soft and expressive application over wide areas. It is suitable for a wide range of techniques, including base washes, coloring, water application, and blending (bokashi). Because it is made by layering several brushes together, the tip has more thickness and resilience than a standard hake brush Crafted from premium goat hair, the bristles are exceptionally soft, enabling gentle color application and subtle, delicate expressions. The brush holds paint well while maintaining flexibility, allowing for smooth, even coverage as well as soft transitions and blurred edges. By loading more pigment on one side, you can also create gradations or intentional uneven textures. This brush is produced in Kumano, Hiroshima Prefecture, a town renowned as the center of traditional Japanese brushmaking. Each piece is carefully handmade by skilled artisans, preserving techniques passed down over many generations and honoring Japan’s rich cultural heritage.